In 1973 and 1978, Terrence Malick created two hits in the New Hollywood era: Badlands and Days of Heaven. In both of these films, Malick finds his characters searching for Eden in the midst of the vast American western landscape. Both films follow a man running from his sins. Both films are gorgeously shot with probing voiceover from the perspective of the female collateral in the lives of broken men. Both were critical hits, the latter of which was nominated for 3 Academy Awards (winning one for cinematography). They were two of the most acclaimed films of the 1970s. Then Malick disappeared for 20 years.
Read Moreby Nathan Robertson
Many of us grew up watching Shia LaBeouf. Whether it was as the mischievous son on Even Stevens or the young criminal seeking redemption in Holes, Shia LaBeouf in some capacity touched many of our lives. We grew up on his acting, never stopping to think if that ever gave him the opportunity to grow up himself.
Read Moreby Mitch Wiley
I got married last month. Maybe I should have waited a bit longer before watching Noah Baumbach’s new Netflix film Marriage Story.
Read MoreBy Mitch Wiley
Bong Joon Ho is a South Korean director and one of the best filmmakers of the 21st century. Not one of the best Korean directors, but one of the best directors, period. His films are hard to put into a box, difficult to define, and seem to constantly shift in tone and genre
Read Moreby Nathan Robertson
I had the opportunity to attend a showing of The Report at the Chicago International Film Festival. The movie releases nationwide November 15th.
Read Moreby Nathan Robertson
Perhaps A Beautiful Day in the Neighborhood’s greatest strength is its confidence that it can make you smile. It’s a beautiful ode to a man who spent his life looking to better the lives of others and always showing every person he came in contact with why they’re uniqueness was bigger than their circumstances.
Read Moreby Mitch Wiley
Released 5 years after Malick’s 1973 debut Badlands, Days of Heaven continues the director’s exploration of the American wilderness and the spiritual search for Eden.
Read Moreby Nathan Robertson
There are three paths to take when talking about Joker. There’s talking about Jaoquin Phoenix, there’s talking about the technical, and there’s talking about the movie itself.
Read Moreby Mitch Wiley
For the next couple months, I will be posting about each film by Terrence Malick—one of my favorite American directors—leading up to the late December release of his upcoming film A Hidden Life.
Read Moreby Nathan Robertson
The Prodigal Son. It’s a story many of us have heard before. A son who demands his inheritance leaves his father to pursue his lustful passions, and upon coming to ruin returns home to his father who is waiting with open arms and celebration. It’s the picture of what a father should be. Patient and long-suffering, forgiving and merciful, and perhaps most of all, present in the time of greatest need.
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